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The Lamplighter Book Proposal

I want to introduce you to a great American hero -- and the subject of my new historical novel: The Lamplighter: The Life & Music of Harry T. Burleigh.

During the first half of the Twentieth Century -- a time of tremendous racial turmoil in the United States -- an African-American man named Harry T. Burleigh shined as a world-famous composer, arranger, internationally respected editor, and courageous artistic pioneer.

The grandson of a slave, Burleigh overcame formidable obstacles to become a leader in the musical world of his day. He is best known for his artistic arrangements of the Negro Spirituals. His life and work bridged the gap between two races and two cultures and paved the way for the emergence of a truly American style of music.

He was a friend of the great Bohemian composer Antonin Dvorak, and influenced the writing of "The New World Symphony." He was also a personal friend of Booker T. Washington, James Weldon Johnson, and J.P. Morgan. He sang before President Teddy Roosevelt and King Edward VII of England at a time when African-Americans endured grueling persecution in the U.S.

For 52 years he served as the baritone soloist at the prestigious St. George Episcopal Church in Manhattan -- the first black person to hold that position.

During the first quarter of this century, his popular songs were performed by the greatest artists of the day. He was also an editor at the renowned music-publishing house G. Ricordi and Sons in New York City. Because of his outstanding achievements as an African-American, he became only the third person to receive the Spingarn Medal from the N.A.A.C.P.

But his legacy remains his artistic arrangements of the hauntingly beautiful Negro Spirituals -- many of which are still in use today.

Burleigh's popularity is growing with the advent of the Internet. Several web pages are devoted to his life and work. His portrait was recently hung in the National Portrait Gallery in Washington, D.C. with other great African-American leaders.

With the recent observance of the fiftieth anniversary of his death, I believe the time has come to share Harry T. Burleigh's dramatic story with the world.

Several people have written about Dr. Harry T. Burleigh since his death, but to my knowledge this is the first narrative account of his life. While this is a work of fiction, I have tried to ensure that it is as true to the historical record as possible -- while striving to tell an entertaining story.

Several people have written about Dr. Harry T. Burleigh since his death, but to my knowledge this is the first narrative account of his life. While this is a work of fiction, I have tried to ensure that it is as true to the historical record as possible -- while striving to tell an entertaining story.

Book Idea

THE LAMPLIGHTER chronicles the ascent of the great African-American composer Harry T. Burleigh from poverty to international musical acclaim in the midst of the grueling oppression of Jim Crow segregation in the late 19th and early 20th Centuries.

Like Alex Hailey's Roots, this novel describes one family's rise from slavery to success in America. It is a legacy that follows Burleigh's ancestors from a plantation on Maryland's Easter Shore to freedom in Pennsylvania on the shores of Lake Erie. We watch as they participate in the abolitionist movement and the Underground Railroad. The family rejoices in emancipation, and groans under segregation and bigotry.

We follow Harry T. Burleigh through the Gilded Age, the Harlem Renaissance, two economic depressions and two world wars. It is a classic American story of a family overcoming daunting obstacles to achieve their most fantastic dreams -- as a result of hard work, education, strong family ties, and faith in God.

As THE LAMPLIGHTER tells Burleigh's story, it also describes the birth of American music in the person of Harry T. Burleigh.

At the height of his career, Dr. Burleigh gained the reputation as the "Dean of the Negro Spiritual," publishing more than 100 arrangements and saving some from obscurity. This book shows how Harry first learned the plantation songs from his grandfather, a former slave who purchased his freedom and then worked as an abolitionist to help others to freedom.

At an early age Harry was also trained in classical European music by his mother, who learned it from her Scotch-Indian mother. The melding of these to disparate forms of music in the person of Harry T. Burleigh came to a culmination when he won a scholarship to the National Conservatory in New York City. It was there that he met the great Bohemian composer, Antonin Dvorak, and influenced the writing of the New World Symphony. Dvorak firmly believed that African-American plantation songs, and the spirituals in particular, could be the foundation for American music, and he encouraged Burleigh to, "…give them to the world." Many musical historians believe that this was the beginning of a distinctive American style of music -- a foundation that birthed the Blues, Gospel, Jazz, and Rock and Roll.

But this book is also about the struggle of an African-American man overcoming racial prejudice and obtaining true equality.

From the O.J. Simpson trial to the 2000 presidential election in Florida, strained race relations in America have been at the center of our national consciousness. While great strides were made by Martin Luther King and others during the Civil Rights Movement, recent events like the dragging death of James Byrd Jr. in Texas, and the Rodney King affair in Los Angeles, show that much distrust remains between the black and white communities in America. This novel shows how one man rose above the racial divide and became a bridge of understanding during the darkest years of segregation at the beginning of the 20th Century.

Even today, at the dawn of the 21st Century, some would say that there is little hope for healing between the races in America. But this story gives a dramatic example of understanding and good will between blacks and whites, that occurred because one man believed the Scriptural admonition that, "There is neither Jew nor Greek, there is neither slave nor free, there is neither male nor female; for you are all one in Christ Jesus" (Galatians 3:28).

Intended Audience

The main audience for THE LAMPLIGHTER is middle and upper class, college educated people in both the African-American and Caucasian communities, both in America, and also in other Western nations that have struggled with the aftermath of African slavery. This book would be of particular interest to the African-American religious community, the Evangelical Christian community, and the musical world.

The novel is 477 pages long, double-spaced on standard 8 1/2 by 11 paper.

Click here for author bio

The Competition

With the unprecedented success of such Christian fiction books as the "Left Behind" series by Jerry Jenkins and Tim LaHaye, along with books by authors like Frank Peretti, Jan Karon, Janette Oke, Max Lucado, and Francine Rivers, Christian fiction has emerged as an exciting segment of the Christian book market. And historical fiction is one of the most popular sections in bookstores today.

THE LAMPLIGHTER is in this category and meets the demand of today's book buyer for compelling fiction from a Christian perspective. THE LAMPLIGHTER is similar to Ken Wales' "Sea of Glory" in that it is a true story, about real people and real events. Just as Sergeant Wesley Adams had to exchange the bitterness of the past for the promise of the future in Wales' book, so Harry Burleigh has to overcome the stings of bigotry and prejudice in his time to attain the success that eventually came to him.

Like "The Infidel" by Joe Musser, THE LAMPLIGHTER grapples with the issue of African slavery and its deep-rooted wounds. In both books the main characters encounter God's grace -- and leave a legacy of song that still blesses people around the world today.

In Al Lacy & Joanna Lacy's "Let Freedom Ring," readers are taken back to the 19th Century to follow the mass exodus of immigrants into America from around the world. In the same way, THE LAMPLIGHTER goes back to 1832 to follow one family in a journey from slavery to freedom in the 19th and 20th centuries.

THE LAMPLIGHTER is different from these and other Christian books on the market today, however, in that it examines racial tension in America as a result of slavery, and offers the only way to true reconciliation -- forgiveness through the grace of God and the beauty of spiritual songs.

Readers will be inspired by the life of Harry T. Burleigh, and by the hauntingly beautiful spirituals that are laced throughout the novel. "The spirituals," Burleigh once said, "are inspirational in character, and they stand today as permanent evidence of the race's spiritual ascendancy over oppression and humiliation. The cadences of sorrow invariably turn to joy, and the message is ever manifest, that eventually deliverance from all that hinders and oppresses the soul will come, and man, every man, will be free." That is why THE LAMPLIGHTER will be a blessing to those who read it.

Information Sources

In writing the novel I utilized the following resources:

"Hard Trials: The Life and Music of Harry T. Burleigh," a biography by Anne K. Simpson, Scarecrow Press, 1990;

"Harry T. Burleigh and the Creative Expression of Bi-musicality," a Ph.D. dissertation by Jean Snyder, University of Pittsburgh, 1992;

"Classification of the Vocal Works of Harry T. Burleigh (1866-1949)," a Ph.D. dissertation by Roland Allison, Indiana University, 1965;

The Harry T. Burleigh Collection at the Erie County Historical Society, Erie, Pennsylvania;

The Harry T. Burleigh Collection at Mercyhurst College, Erie, Pennsylvania; and

The Schomberg Library, New York City.

In the course of my research I also interviewed some of Burleigh's personal acquaintances. I visited the home of Aida Lawrence of Erie, Pennsylvania, Burleigh's hometown. When Burleigh came to Erie he always stayed in the Lawrence home, and Aida remained in touch with him until his death in 1949.

I also had the cooperation and encouragement of one of Harry's proteges', Mrs. Josephine Harreld Love, Director of the Heritage Museum and Fine Arts Center For Youth in Detroit. Mrs. Love is a graduate of Juilliard and a life-long admirer of Harry T. Burleigh. I visited Mrs. Love's home and museum in Detroit. She has been an enthusiastic supporter of the book and a valuable source of information.

Of course the Internet is now bursting with information on the life and music of Harry T. Burleigh. Some of those sites include:

http://www.uni.edu/taylord/burleigh.bio.html

http://gigue.peabody.jhu.edu/~jstuckey/spirit.html#Burleigh

http://users.aol.com/themensch/delerma.html

http://www.afrovoices.com/burleigh.html ; and

http://www.jass.com/spirituals.html

As the grandson of a slave, Harry T. Burleigh knew poverty and disappointment and the world's indifference - but having tasted unprecedented success, he never forgot his roots. He schooled himself to sing not only in English, but also in Hebrew, Latin, Italian, French, and German. Yet he believed that music had no race and speaks no language, but is in itself a universal language. THE LAMPLIGHTER tells the story of how he looked on music as a force that may one day unite men of all races and creeds; a great light to illuminate the way to world peace.

Thank you for allowing me to introduce you to this remarkable American citizen. I believe the time is right to share his story with the world. Please contact me at the number or e-mail address listed below if you are interested in reading the manuscript.

(757) 620-2082

craig@vonbuseck.com

Sample Chapters of The Lamplighter

Chapter 1: Nobody Knows De Trouble I's Seen

Chapter 17: Wade In de Water

More information on Craig's books

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